‘If You Were the Last’ Review: A Funny and Heartfelt Rom-Com Set in the Unlikeliest of Places | SXSW 2023 (Collider, 3/13/23)
‘Operation Fortune: Ruse de Guerre’ Review: Guy Ritchie’s Spy Caper Struggles to Find a Tone That Works (Collider, 2/1/23)
‘The Old Way’ Review: Nicolas Cage Leads a Familiar and Forgettable Western (Collider, 1/12/23)
‘The Sandman’ Season 1 Review: Netflix’s Neil Gaiman Adaptation Is a Dream Come True (Collider, 8/5/22)
‘Stranger Things’ Season 4 Vol. 1 Review: Netflix’s Signature Series Is Twistier, Scarier, and a Whole Lot Longer (Collider, 5/23/22)
‘Doctor Strange in the Multiverse of Madness’ Is Great Fun, but Are We Sure Marvel Has a Plan? | Spoiler Review (Collider, 5/5/22)
‘Barry’ Season 3 Review: The Best White-Knuckling Thrill Ride Yet (Collider, 4/18/22)
‘The Northman’ Review: Director Robert Eggers Follows Up ‘The Witch’ and ‘The Lighthouse’ With a Gory but Dazzling Viking Epic (Cult Spark, 4/11/22)
‘The Dropout’ Review: Amanda Seyfried Leads a Sturdy but Overly Straightforward Drama (Collider, 2/25/22)
‘Spider-Man: No Way Home’ Review: The MCU’s Latest Is an Expertly Crafted Love Letter to Everyone’s Favorite Wall-Crawler (Cult Spark, 12/17/21)
‘Nightmare Alley’ Review: Guillermo del Toro’s Film-Noir Remake Sticks Rigidly to the Rules of the Genre, for Better and for Worse (Cult Spark, 12/2/21)
‘Ghostbusters: Afterlife:’ Review: I Ain’t ‘fraid of No Ghost. Bad Legacy Sequels on the Other Hand … (Cult Spark, 11/22/21)
‘Malignant’ Review: James Wan Offers Up a Batshit Insane Horror Classic for the Ages (Cult Spark, 9/13/21)
‘Black Widow’ Review: The First Female Avenger Finally Gets Her Own Movie, and It’s About Damn Time (Cult Spark, 7/9/21)
‘F9: The Fast Saga’ Review: The ‘Fast and Furious’ Franchise Finally Runs Out of Gas (Cult Spark, 6/25/21)
‘Godzilla vs. Kong’ Review: The MonsterVerse Has Spent Three Movies Building Up to This. Was It Worth the Wait? (Cult Spark, 4/2/21)
‘The Hunt’ Review: An Exploitation Film for Today’s Divided America (Cult Spark, 3/11/20)
‘Suspiria’ (2018) Review: The Remake of Dario Argento’s Classic Gets Enough Right to Avoid Sacrilege (Cult Spark, 10/30/18)
Robert Brian Taylor 